SpaceWords Creates Utopian Universe at the LBC


Originally published in Through the Lens Magazine on November 16, 2016: SpaceWords Creates Utopian Universe at the LBC — Through The Lens

Article and photos by Melodie Yvonne Ramey

 LAFAYETTE, IN – A very special show transpired at the Lafayette Brewing Company in Lafayette, Indiana just a few evenings ago. This concert of another color was a hybrid sandwich of beautiful traditional electric rock wrapped on either side of a good helping slice of ethereal acoustic, and it would be in one of the best venues in town so it was a must see. The band performing this three set juggling act, SpaceWords, is a town favorite so no matter the venue it is often standing room only. A lot of times concert goers will skip out on the opener, but with news of special guests Steven Wagler opening and Abby Eddy on cello during the acoustic session spectators slowly started filling up tables in the LBC long before the lights dimmed for the show.

Steven Wagler took the stage alone with his guitar, and at first the large stage seemed like it would swallow them both whole. The moment he started playing and singing, though, a larger than life musical presence escaped him that filled every nook and cranny in the air. There was a smile on every face in the room as he dished out helping servings of tasty originals like “Mary Beth in A-Minor” with a side of inspiring renditions of Leonard Cohen’sChelsea Hotel #2” and many more. Then he topped it all off with a mind blowing version of Rob Zombie’sDragula” which newly energized the crowd. There would be a quick break before the headlining band would take the stage, but for some it was obvious that Wagler’s set had them preheated like an oven, and there’d be no cooling off anytime soon.

SpaceWords took the stage to a chorus of hoots and hollers from the crowd. Their originals are so powerful they’re already classics to many, and everything they cover they manage to pull off like the masters themselves. It’s no wonder the room was packed with the combination of musical talent amongst Aaron Ade on guitar, Kevin Hull on guitar & vocals, William John Pinnick on guitar & vocals, Kelly Greene on bass, and Jeffrey Lageveen on drums. They whipped out some powerful renditions in the first electric set for the night with a list that included “Gonna Leave You”, “In My Head” and “Make It Wit Chu” by the illustrious Queens of the Stone Age. Their own songs like “Cricket” and “Wide Eyed” were every bit as enthusiastically impassioned as the excited audience by the end of the first set.

The second set began with Pinnick exhibiting an enormous amount of excitement about playing an acoustic show as well as showing his great appreciation to the very talented Abby Eddy for joining them on his favorite instrument, the cello. They immediately broke into “The Man Who Sold the World”, a song originally by the legendary David Bowie, and it was just as achingly heart felt played by SpaceWords as it was during Nirvana’s Unplugged performance in the 90s. The guys had some fun, and played a phenomenal version of Blind Melon’sSkinned” complete with Kevin whipping out a kazoo. An awe inspiring version of REM’sLosing My Religion” had Greene trading instruments to show off his extraordinary talent on the mandolin and switching positions to better meld with Ade’s expertly savvy strumming all while Pinnick emitted vocals so passionate they would make even an angel weep with joy. The band’s original songs gone acoustic were just as inspirational as their remakes. The simmered down version of “Can’t Complain” carried a calm, cool, and collected demeanor in Hull’s amazingly versatile voice that definitely had the crowd feelin’ fine. Arguably their most amazing melody of the evening was the stripped down version of “Bury” which morphed into an absolutely mesmerizing phenomenon when completed with Abby’s breathtaking exhibition of skills. Every draw of her bow across the strings was like a step closer to ecstasy, and by the end of the song every piece of flesh in the house was adorned with fresh goose pimples as well as tingling souls.

A short intermission allowed a change of instruments for SpaceWords and a minute for the audience to collect themselves after succumbing to the serenity of the astonishing acoustic set. As the band took the stage again the room was buzzing with excitement for the final installment. They played “I Was Sleepin’”, and it was every bit as hauntingly beautiful as their rendition of “Optimistic” by Radiohead that followed. The guys broke into “Right as Rain” next, and then “Bore” which is always a personal favorite for many. They closed out the evening with “Mean Mug” although the audience begged for more, but unfortunately they would be left insatiable until another day. They reluctantly left the warm inviting atmosphere of the Lafayette Brewing Company meandering slowly back out into the chilly night, but memories of SpaceWords incendiary performance would cradle them until they found the safety of their warm beds back in their very own little galaxies.

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Photo and video footage shot for Photographic Melodie by Melodie Yvonne Ramey. Shot with Nikon D800E
All footage copyright Melodie Yvonne Ramey and/or the performing artists. No usage is permitted beyond non-profit online sharing without written permission from Melodie Yvonne Ramey and/or the performing artist. Photos are not for commercial sale. It is ILLEGAL to sell concert photographs without the permission of the artist. It is ILLEGAL to use these photos for anything at all without permission from the photographer. Please send any and all inquiries of usage requests to Non-profit online sharing of images is permitted only when following these specific guidelines… images are NOT to be altered in anyway. This includes, but is not limited to cropping, adding filters, removing color from, any other changes, and/or removing the watermark. Also absolutely no making money off of,  and/or taking credit for my images as it is illegal, and makes me long for death.

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Melodie Yvonne

Melodie Yvonne Ramey, owner, editor, & contributor at Photographic Melodie, grew up in the small southern Indiana town of North Vernon. She picked up her first camera at the young age of 5, and was immediately hooked. Every trip, even just to the local park, was turned into a fantasy scene of her own imagination that would later be turned into epic tales in word and photos.

Melodie spent her teen years learning from and mentoring under professionals such as Richard Young, John Sheckler, and The Grand Conundrum. She received an Associates of Applied Science in Visual Technologies majoring in Photography from Ivy Tech in 2002 after studying under acclaimed professors such as Hoosier photographer Darryl Jones, Jonathan Wilson, and many other masters in the field.

Melodie’s main focus has always been music photography. Growing up with photography and listening to amazing musicians inspired her dream to create visual images that made people feel the way they do when they hear the music. She wanted to help people SEE the music by capturing every magical moment of concerts that she could only dream about as she gazed into music magazines like Rolling Stone and Spin.

Melodie has done numerous jobs around the country ranging from working for bands to even being the official photographer on many southern Indiana Poker Runs. Her specialties are in nature, music, and candid event photography, as well as one of a kind photographic creations. Melodie published her first print book Photographic Memories: In the Beginning, a collection of poetry, in 2011, and has since published 2 more print works, Photographic Memories: Meet me in the Middle and Hoosier Heavens, her first photo book. Melodie currently acts as publisher, editor & lead contributor at Photographic Melodie and does freelance work with many other media outlets, venues, and artists.

Melodie says, “I started out with a Tweety bird camera and a dream and I never let go. I will always love photography and the vessel it has given me to share the images of my heart and mind with the world. I have found that every single person on this earth visualizes the world in very different ways. Some people are optimists, some are pessimists. Some people are daydreamers, and others keep their feet firmly planted on the ground. Photography allows me to show some of these different visualizations. It allows the rationalist to see that it’s okay to dream, it can show the monsters hidden in the dark, and it can show even the saddest of people that there is still joy in the world.”

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