Seed Guzzler Part Deux: Ode to An Inebriated Enchantress


Seed Guzzler Part Deux: Ode to An Inebriated Enchantress by Melodie Yvonne Ramey

Gettin’ dressed up for a night on the town
Makin real sure boobs hang outta her gown
Slatherin’ makeup on big bright doe eyes
Remove that concealer you’ll get a surprise

Hiding her horns with tentacle arms
that wave with medusa-like seductive charms
She’s got the look, but talks not her skill
Personality free, but her mouth pays the bills

Struttin’ around like slutty the fox
This girl sure can gurgle a gaggle of cocks
She’ll clamp right on quick with teeth filled vagina
and once she tastes blood she’ll always find ya

One’s not enough she’s got vents and two hands
Fillin’ her pockets not sharing with friends
Bendin’ her elbows and not long she’s sober
She pulls back her beef curtains then she bends over

Hiding her horns with tentacle arms
that wave with medusa-like seductive charms
She’s got the look, but talks not her skill
Personality free, but her mouth pays the bills

Selfish she lays like a dead fish while fucking
You’ll try to pull out once she starts soul sucking
but if you stay still and real quiet like a mouse
you’ll hear her soul whisper, “Look my boobs are out!”

Try not to look or again you’re a goner
She’ll bat her lashes ‘til you want her longer
Then you succumb and she’ll always forgive you
and you’ll bring more flesh for her teeth to sink into

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Photo and video footage shot for Photographic Melodie by Melodie Yvonne Ramey. All words and footage copyright Melodie Yvonne Ramey. No usage is permitted beyond non-profit online sharing without written permission from Melodie Yvonne Ramey. It is ILLEGAL to use any of this content for anything at all without permission from Melodie Yvonne Ramey. Please send any and all inquiries of usage requests to Non-profit online sharing is permitted only when following these specific guidelines… images, videos, and words are NOT to be altered in any way. This includes, but is not limited to deleting, plagiarizing all or parts of, cropping, adding filters, removing color from, any other changes, and/or removing watermarks. Also absolutely no making money off of,  and/or taking credit for my work as a whole or any of its parts as it is illegal, and makes me long for death.


PS… It has been brought to my attention that people think this is about a single person. This poem is NOT about any one particular person. It was born as a one liner joke in a poem about an older lady actually with only the line “This girl sure can gurgle a gaggle of cocks” rhyming with something else. I couldn’t use that in this particular poem about this lady, it was a joke rhyme, so I pulled that line out and saved it a couple weeks… then some of my friends were challenging me to rhyme with words like “vagina”, so then lines grew and kinda turned into a spoof poem about my general frustration with women exploiting themselves. I am more than happy to share the whole story this is an edited version. I’m not gonna delete this poem ’cause it’s not about anybody, and I feel like I should pay for the consequences of my poor sense of humor and rhyming of bad words. If I’m guilty of anything else it’s making bad abstract photos out of laziness as feature photos, no harm intended. The feature photo is now a bad abstract of me, however, I’m pretty sure the poem isn’t about me either. Although, please feel free to call me a seed guzzling whore in the comments or something if it makes you feel better. Bonus points for rhyming insults. Seriously, though, sorry to all I have offended.

Categories: Melodie Yvonne, Melodie's Music, Rhyming and LyricsTags: , , , , , , , , , ,

Melodie Yvonne

Melodie Yvonne Ramey grew up in the small southern Indiana town of North Vernon. She picked up her first camera at the young age of 5, and was immediately hooked. Melodie says, “I couldn’t tell you the name brand of my first camera offhand, but I can tell you it was a Tweety Bird camera. It’s a brilliant bright blue with Tweety Bird from Bugs Bunny perched on it. I still have it. I’m just not sure if it was the photos themselves that got me hooked or that brilliant lil yellow bird.”

Every trip, even just to the local park, was turned into a fantasy scene of her own imagination that would later be turned into epic tales in word and photos. Melodie spent her teen years learning from and mentoring under professionals such as Richard Young, John Sheckler, and The Grand Conundrum. She received an Associates of Applied Science in Visual Technologies majoring in Photography from Ivy Tech in 2002 after studying under acclaimed professors such as Hoosier photographer Darryl Jones, Jonathan Wilson, and many other masters in the field.

Melodie’s main focus has always been music photography. Growing up listening to amazing musicians like Shannon Hoon, Beastie Boys, Maynard James Keenan, Zack de la Rocha, Tori Amos, and classics like Led Zeppelin, Hendrix, Elvis, Johnny Cash and the like inspired her dream to create visual images that made people feel the way they do when they hear the music. She wanted to help people SEE the music by capturing every magical moment of those amazing shows that she dreamt of as she gazed into music magazines like Rolling Stone and Spin. Later in life as Melodie learned more about the arts inspiration came from a number of other legendary artists, visual and literary, like Annie Leibovitz, William Moortensen, John Sexton, Erik Johansson, Helmut Newton, Hunter S. Thompson, Ralph Steadman, and HR Giger.

Melodie has done numerous jobs around the country ranging from working for bands to even being the official photographer on many southern Indiana Poker Runs. Her specialties are in nature, music, and candid event photography, as well as one of a kind photographic creations. Melodie published her first print book Photographic Memories: In the Beginning, a collection of poetry, in 2011, and has since published 2 more print works, Photographic Memories: Meet me in the Middle and Hoosier Heavens, her first photo book. Melodie currently acts as publisher, editor & lead contributor at and does freelance work with many other media outlets, venues, and artists.

Melodie says, “I started out with a Tweety bird camera and a dream and I never let go. I will always love photography and the vessel it has given me to share the images of my heart and mind with the world. I have found that every single person on this earth visualizes the world in very different ways. Some people are optimists, some are pessimists. Some people are daydreamers, and others keep their feet firmly planted on the ground. Photography allows me to show some of these different visualizations. It allows the rationalist to see that it’s okay to dream, it can show the monsters hidden in the dark, and it can show even the saddest of people that there is still joy in the world.”

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